As part of our project to update our syllabus we are adding new works for brass and percussion. We would like to feature some of the composers that we are adding and help promote their hard work. Meet Colleen Muriel!

Colleen Muriel (M.A. – music, B. Music, FRSM, FTCL, ARCT) is a Canadian composer living in London, England. The first two concerts of Colleen’s compositions were given in 1997 and 1998 in Vancouver, Canada. Since then her music has been performed and recorded in Canada, the USA, UK, Western
Europe, Bulgaria, Australia, Asia (including Vietnam and Japan), and Brazil. 
 
Her music has been featured on a number of radio stations and also been performed at The 15th London New Wind Festival; Sonic Boom (Vancouver Pro Musica); Women Composers Festival of Hartford, USA; Diamond Jubilee Concert (in honour of Queen Elizabeth’s 50 year reign – London); and Music Fest Aberystwyth, Wales.
 
In addition her music is included in the Contemporary Showcase Syllabus of the Alliance for Canadian New Music Projects (ACNMP) and the Canadian Music Centre. She is a member of The Association of Canadian Women Composers (ACWC) and her music is included in the ACWC Educational Music Catalogue Syllabus, Educational Piano Composition Syllabus and Choral Collective. She is also listed in the Compendium Musicae Flauta (the first international catalogue of flute music by women composers).
 

She has written and/or arranged well over 600 pieces of music for various instruments and ensembles ranging in style from simple folk melodies to the avant-garde. These works include chamber music (instrumental), a chamber opera, orchestra and choir music, string quartets, solo music for piano, flute,
singers as well as hymn tunes. 
 
She has published (El Flauto Records) a large number of sheet music books and CDs, all containing original compositions and/or arrangements.

Colleen’s work for vibraphone “A Meditation on Runyan’s Faithfullness” will be added to our syllabus. Thank you!

As part of our project to update our syllabus we are adding new works for brass and percussion. We would like to feature some of the composers that we are adding and help promote their hard work. Meet Robert Lemay:

Né à Montréal en 1960, Robert Lemay est compositeur depuis la fin des années 1980. Sa musique a été jouée et diffusée dans plus de 30 pays et a reçu de nombreux prix internationaux.

La musique de Robert Lemay s’inspire de la poésie, de la littérature, du cinéma, des arts visuels et des événements politiques et sociaux. Les éléments théâtraux, tels que la disposition de la scène, la spatialisation, les gestes et le comportement de l’interprète, sont souvent présents dans ses œuvres. De plus, la musique de Robert Lemay est influencée par les techniques spectrales (importance du timbre), les approches modales d’Olivier Messiaen, les modulations rythmiques d’Elliott Carter et l’organisation formelle de Iannis Xénakis. Le saxophone et les instruments à vent jouent un rôle particulièrement important dans son œuvre.

Robert Lemay détient un baccalauréat et une maîtrise en composition de l’Université Laval sous la direction de François Morel, ainsi qu’un doctorat de l’Université de Montréal sous la direction de Michel Longtin. Il a également étudié à la State University of New York à Buffalo où il a travaillé avec David Felder et suivi des séminaires avec, entre autres, Brian Ferneyhough, Donald Erb et Louis Andriessen. Il a également travaillé avec François Rossé à Bordeaux et avec Georges Aperghis à l’ATEM à Paris.

Robert Lemay a enseigné à l’Université de Saskatchewan (1996-97) et à l’Université Laurentienne à Sudbury de 2000 à 2021. Il a été compositeur en résidence de l’Orchestre symphonique de Sudbury de 2008 à 2010, et a été président et codirecteur artistique des 5-Penny New Music Concerts à Sudbury de 2004 à 2018.

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Born in Montreal in 1960, Robert Lemay has been active as a composer since the late 1980s. His music has been performed and broadcast in over 30 countries and has received numerous international awards.

Lemay’s music draws its inspiration from poetry, literature, cinema, visual arts, and political and social events. Theatrical elements, such as the stage layout, spatialization, gestures, and comportment of the performer, are often present in his works. Moreover, Lemay’s music is influenced by spectral techniques (the importance of timbre), the modal approaches of Olivier Messiaen, the rhythmic modulations of Elliott Carter, and the formal organization of Iannis Xénakis. Saxophone and wind instruments play an especially important role in his oeuvre.

Lemay holds bachelor’s and master’s degrees in composition from Université Laval under the direction of François Morel, and a doctorate from Université de Montréal under Michel Longtin. He also studied at the State University of New York at Buffalo where he worked with David Felder and took seminars with, among others, Brian Ferneyhough, Donald Erb, and Louis Andriessen. He has also worked with François Rossé in Bordeaux and with Georges Aperghis at the ATEM in Paris.

Lemay taught at the University of Saskatchewan (1996-97) and at Laurentian University in Sudbury from 2000-21. He was Composer-in-Residence of the Sudbury Symphony Orchestra from 2008-10, and was President and Co-Artistic Director of the 5-Penny New Music Concerts in Sudbury from 2004-18.

Robert’s work for percussion Pommes is being added to the syllabus, thank you Robert!

As part of our project to update our syllabus we are adding new works for brass and percussion. We would like to feature some of the composers that we are adding and help promote their hard work. Meet David Occhipinti:

“It’s definitely music for today, streamlined yet atmospheric…a listener hears the rare but
gratifying combination of lyricism and cutting-edge music.”
-Geoff Chapman, The Toronto Star

David Occhipinti is a composer, and guitarist whose music crosses borders from jazz and
improvised music, into contemporary classical music and beyond. David’s musical
accomplishments have earned him two Chalmers Arts Fellowships, as well as multiple
JUNO nominations for his work as a recording artist. Among his nominated works are his
critically acclaimed album Forty Revolutions in 2007; and Duologue, in collaboration with
saxophonist Mike Murley, in 2003.

Camera, (2012) is a recording that features David’s chamber music compositions and guitar
improvisations. It was heralded by his mentor, Jim Hall as: “an absolute gem… his writing
is unique, his playing is completely original and stunning… an absolute work of art!”
The 2019 release, these out of infinite, features David’s works for the voice with text by
Dylan Thomas, James Joyce, e.e. cummings, T.S. Elliot, Emily Carr, Emily Brontë, and
Emily Dickinson. Fanfare magazine wrote, “Occhipinti’s settings are stellar and
hypnotic….like George Crumb… sheer delight. It breathes freshness and clarity.”
David’s recorded work has been featured on the CBC and BBC.

David’s first orchestral work, Saturnia (2022), was part of the Toronto Symphony’s
‘Explore the Score’ event that occurred at Roy Thomson Hall in October of 2022.
David received a commission from the Ottawa Symphony Orchestra to compose a piece
for brass and percussion. The premiere performance of En Passant was in Ottawa on May
1st, 2022 with Jean-Michel Malouf conducting.

A world premiere recording of Net of Gems, for flute and harp, appears on a recent
recording by Suzanne Shulman and Erica Goodman. David has also had his
compositions commissioned or recorded by a wide-ranging list of artists- including
percussionist Beverley Johnston, Arraymusic Ensemble, Canadian Children’s Opera
Chorus, and Random Access Large Ensemble.

David has performed and toured across Canada, the U.S., Europe, and Japan. He has
performed Canadian premieres of works by Steve Reich and Gabriel Prokofiev. David has
been based in Toronto for most of his career, but during the 1990s he also spent some
time studying in New York City with Jim Hall, and three years living in Italy.

Several works for percussion and brass will be added to the ACNMP syllabus. Here is a link to one of his other works:

As part of our project to update our syllabus we are adding new works for brass and percussion. We would like to feature some of the composers that we are adding and help promote their hard work. Meet Stella terHart:

Stella Claire terHart was born in Estevan, Saskatchewan on January 31, 1960, and presently lives in Inverary, Ontario. Stella is the only individual in Canada to have been awarded all four available ARCT diplomas from the Toronto Conservatory of Music: Pedagogy, Performance, History, and Composition. She studied with Bill Moore (Regina), Lyell Gustin (Saskatoon), Robin Harrison (Saskatoon), and Marilyn Engle (Calgary). Stella has adjudicated festivals throughout Ontario and the Maritimes. She is a retired member of the College of Examiners of the Toronto Conservatory and a member of the board of the ACNMP. Stella presently is the Artistic Director of both the Frontenac Women’s Chorus and the SATB mixed choir, Melodia. Her award-winning piano, instrumental, and choral compositions have
been performed world-wide.

Stella’s work Reflective Moments (for horn and piano) is one of the works that has been selected to be added to the syllabus in the junior category. You can also find her on facebook: https://www.facebook.com/scterhart/

Thank you Stella!

As part of our project to update our syllabus we are adding new works for brass and percussion. We would like to feature some of the composers that we are adding and help promote their hard work. Meet Emily Gray:

Emily Gray is a clarinetist, composer, and music arranger from Montreal. She studied at McGill University and her work “On the Lake” for horn will be featured on our syllabus in the junior category. Please feel invited to check out her other pieces as well.

Thank you Emily for your work!