National Award Adjudicators

We have two wonderful adjudicators for our 2022 submissions for the National Awards, please check our their bios and websites!

Alex Chen is a collaborative pianist, baritone, and vocal coach whose curiosity brings fresh
perspectives on a diverse body of musical works. In the words of his mentor John Hess, he is
“an immensely musical and sensitive player” with “a deeply inquisitive mind.”
Alex performs regularly in the Victoria music community, exploring genres such as art song,
opera, and choral music. Moreover, as a faculty member at the Victoria Conservatory of Music
he supports a wide variety of students and young professional singers from the piano. He is
dedicated to education and engagement, striving to create lasting impressions with his
performances & foster a desire to learn more with his innovative artistic projects.
Recent professional highlights include performing in solo voice & chorus capacities with Pacific
Opera Victoria in their Civic Engagement Program & mainstage productions, respectively;
producing a visual album of Debussy’s Ariettes oubliées as part of the Gay4Nature Art Song
Collective; and creating the Citizen Soundscape – a crowdsourced, immersive sound installation
– for BC Culture Days & Swan Lake Nature House. He continues to refine his musical skills
through training with acclaimed Baroque soprano Nancy Argenta and pianist Robert Holliston.
In a past life, Alex handled birds of prey for educational programs and contemplated the
physiological factors affecting birdsong during a BSc in Zoology. To keep in touch with his
background in biology, he loves spending time outdoors and spotting local flora and fauna.

Alissa Cheung’s works have been performed at the Winspear Centre (Edmonton) by the Edmonton Symphony Orchestra, at Salle Bourgie (Montréal) by Quatuor Bozzini, at the University of Michigan by Arx Duo, percussion duo, at New York and Chicago by Instruments of Happiness electric guitar quartet, in Jordan Hall (Boston) by the Boston and Turtle Island String Quartets, in Australia by Duo Myburgh-Feakes, and in Switzerland by Duo Luce. She is regularly featured as composer-in-residence at C’mon Festival in Edmonton. In recent works she experiments with improvisational aspects and open forms, resulting in a co-composed piece that differs from performance to performance. Upcoming projects include a co-composition with Duo d’Entre-Deux saxophone duo, and an outdoor live-installation project based on whale songs with Alain Lefort. 

Alissa Cheung is also a violinist of Quatuor Bozzini, based in Montreal, QC.  Her solo and chamber performances have taken her throughout Canada, USA, Europe and Asia, and her work has been featured in the New York Times, The Guardian UK, Le Devoir, the Edmonton Journal, and has been broadcast on British Broadcasting Corporation (UK), Österreichischen Rundfunks (Austria), Schweizer Radio und Fernsehn (Switzerland), Nederlandse Publieke Omroep (Netherlands), and CBC Radio (Canada). 

www.alissacheung.com

National Awards for Contemporary Showcase 2022

Many of our Contemporary Showcase Centres have wrapped up their Festivals for 2022, congratulations to all the participants, festival organizers, adjudicators, volunteers, teachers, and audience members! Some videos and pictures are on our social media channels, Facebook, Twitter, and Instagram, so please feel free to check them out!

Each centre is invited to ask their adjudicator to nominate performers for our National Awards.  If you have nominees or are a nominee for your Contempoary Showcase Centre, please have videos submitted with a scan of the sheet music for the adjudicator, the name of the performer, what centre they are representing, and if possible the award they are nominated for by December 16th. 

Please submit them to: info@acnmp.ca

ACNMP is participating in Giving Tuesday

The Alliance for Canadian New Music Projects is taking part in GivingTuesday, an initiative to spread generosity. Over the years ACNMP has helped support new music projects, composers, teachers, and students and you can help continue those projects.

With your help we can continue to support a strong Canadian New music sector. Every little bit helps and you can receive for a tax receipt for donations 20 and above.

2022 ACNMP Annual General Meeting

 Alliance for Canadian New Music Projects

We are holding our Annual General Meeting virtually on Sunday September 18th at 11am (EDT).

You are invited to attend and share your suggestions, opinions, and thoughts!

Please email info@acnmp.ca to RSVP and obtain the meeting link.

Alliance pour les projets canadiens de musique nouvelle

Nous tenons notre assemblée générale annuelle virtuellement le dimanche 18 septembre à 11 h (EDT).

Vous êtes invités à y assister et à partager vos suggestions, opinions et réflexions !

Veuillez envoyer un courriel info@acnmp.ca pour confirmer votre présence et obtenir le lien de la réunion.

A New Work from John Estacio, Commissioned by Edmonton CS

Now and Then, a new solo piano work by composer John Estacio was commissioned by Contemporary Showcase Edmonton Society with the assistance of an anonymous donor to recognize the incredible contributions of Gladys Odegard.  Odegard was a founding member of Edmonton CS and through her many years of service, has fostered Canadian music and promoted its development and enjoyment.

Gladys’ vision was to have a work written to highlight and honour the extensive efforts of students, parents and teachers to maintain music studies throughout the Covid-19 pandemic. The work is in 3 movements to show the three stages of pandemic life: before; during; and in better days ahead.

“John Estacio was the first clinician for the Young Composers’ Program which was organized in Edmonton in 1994 and continues to this day.  His ability to create a positive learning environment for young students and his ability to show them how to use the entire keyboard in their compositions was breath-taking.  He was a natural choice to be the composer for this commission.  We owe him our deep gratitude and thanks for accepting the commission request.”                                                        -Gladys Odegard, March 2022

The copyright states that the score of Now and Then may be downloaded for use at this year’s 2022 Contemporary Showcase Festivals.  After that, the work will be available through the Canadian Music Centre.

The level of this multi-movement work is as follows:

– any single movement: Grade 6. (Note that the 3rd movement would need an advanced, motivated Gr. 6 student)

– any two movements: Grade 7
– entire work: Grade 8